Edinburgh, United Kingdom

Translation Studies

Language: English Studies in English
University website: www.ed.ac.uk
Doctor of Philosophy (PhD)
Doctor of Philosophy (PhD)
Translation
Translation is the communication of the meaning of a source-language text by means of an equivalent target-language text. The English language draws a terminological distinction (not all languages do) between translating (a written text) and interpreting (oral or sign-language communication between users of different languages); under this distinction, translation can begin only after the appearance of writing within a language community.
Translation Studies
Translation studies is an academic interdiscipline dealing with the systematic study of the theory, description and application of translation, interpreting, and localization. As an interdiscipline, Translation Studies borrows much from the various fields of study that support translation. These include comparative literature, computer science, history, linguistics, philology, philosophy, semiotics, and terminology.
Translation
Literal translation of poetry is in reality a solecism. You may construe your author, indeed, but if with some Translators you boast that you have left your author to speak for himself, that you have neither added nor diminished, you have in reality grossly abused him, and deceived yourself. Your literal translation can have no claim to the original felicities of expression; the energy, elegance, and fire of the original poetry. It may bear indeed a resemblance, but such a one as a corps in the sepulchre bears to the former man when he moved in the bloom and vigour of life.
Nec verbum verbo curabis reddere, fidus
Interpres——
was the taste of the Augustan age. None but a Poet can translate a Poet.
William Julius Mickle, The Lusiad; Or, The Discovery of India: an Epic Poem (1776), Introduction, pp. cxlix–cl.
Translation
Translation is at best an echo.
George Borrow, Lavengro (1851), Ch. 25, p. 151.
Translation
No man is capable of translating poetry, who, besides a genius to that art, is not a master both of his author's language and of his own; nor must we understand the language only of the poet, but his particular turn of thoughts and expression, which are the characters that distinguish, and as it were individuate him from all other writers. When we are come thus far it is time to look into ourselves, to conform our genius to his, to give his thought either the same turn, if our tongue will bear it, or, if not, to vary but the dress, not to alter or destroy the substance.
John Dryden, Preface to Ovid's Epistles (1680).
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