Guildford, United Kingdom

Sound Recording

Language: English Studies in English
Kind of studies: full-time studies, part-time studies
University website: www.surrey.ac.uk
Doctor of Philosophy (PhD)
Sound
In physics, sound is a vibration that typically propagates as an audible wave of pressure, through a transmission medium such as a gas, liquid or solid.
Recording
If the listener does eventually come to the point where he makes the ultimate performance by splicing tapes from other musicians' recordings, he [sic] will eventually become just as bored with it as with other recordings, for it will still always be the same. Look, for instance, at electronic music. The boys are already becoming bored with what they do because they put it irrevocably on tape. The best indication of this is that more and more they are mixing the live performance element with their tapes.
Aaron Copland; quoted in Classic Essays on Twentieth-Century Music, ISBN 0028645812.
Recording
My experience of the original Edison phonograph goes back to the period when it was first introduced into this country. In fact, I have good reason to believe that I was among the very first persons in London to make a vocal record, though I never received a copy of it, and if I did it got lost long ago. It must have been in 1881 or 1882, and the place where the deed was done was on the first floor of a shop in Hatton Garden, where I had been invited to listen to the wonderful new invention. To begin with, I heard pieces both in song and speech produced by the friction of a needle against a revolving cylinder, or spool, fixed in what looked like a musical box. It sounded to my ear like someone singing about half a mile away, or talking at the other end of a big hall; but the effect was rather pleasant, save for a peculiar nasal quality wholly due to the mechanism, though there was little of the scratching which later was a prominent feature of the flat disc. Recording for that primitive machine was a comparatively simple matter. I had to keep my mouth about six inches away from the horn and remember not to make my voice too loud if I wanted anything approximating to a clear reproduction; that was all. When it was played over to me and I heard my own voice for the first time, one or two friends who were present said that it sounded rather like mine; others declared that they would never have recognised it. I daresay both opinions were correct.
Herman Klein; quoted in The Gramophone magazine, December 1933
Sound
Carpenters' and ironworkers' shops are dominated by the heavier sounds of machinery and occasional yells across the floor; in goldsmiths' shops the silences are punctuated by more delicate work noises, but the apprentices' sullen silence and the artisans' grim absorption in the work at hand are, if anything, more oppressive, although there may be a little amiable banter between a master goldsmith and an older apprentice clearly already in possession of advanced technical skills.
Michael Herzfeld (2004). The Body Impolitic: Artisans and Artifice in the Global Hierarchy of Value. University of Chicago Press. p. 81. ISBN 978-0-226-32914-7. 
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