Nitra, Slovakia

Landscape and Garden Architecture

Krajinná a záhradná architektúra

Table of contents

⇑Landscape and Garden Architecture at Slovak University of Agriculture in Nitra

Language: Slovak Studies in Slovak
Subject area: engineering and engineering trades
University website: www.uniag.sk
Type: PhD/Doctoral programme
Academic degree: PhD.
Duration: 3–4 years

⇑Definitions and quotes

Architecture
Architecture is both the process and the product of planning, designing, and constructing buildings or any other structures. Architectural works, in the material form of buildings, are often perceived as cultural symbols and as works of art. Historical civilizations are often identified with their surviving architectural achievements.
Garden
A garden is a planned space, usually outdoors, set aside for the display, cultivation and enjoyment of plants and other forms of nature. The garden can incorporate both natural and man-made materials. The most common form today is known as a residential garden, but the term garden has traditionally been a more general one. Zoos, which display wild animals in simulated natural habitats, were formerly called zoological gardens. Western gardens are almost universally based on plants, with garden often signifying a shortened form of botanical garden. Some traditional types of eastern gardens, such as Zen gardens, use plants sparsely or not at all.
Landscape
A landscape is the visible features of an area of land, its landforms and how they integrate with natural or man-made features.
Architecture
It was stated, * * * that the value of architecture depended on two distinct characters:—the one, the impression it receives from human power; the other, the image it bears of the natural creation.
John Ruskin, Seven Lamps of Architecture, The Lamp of Beauty.
Architecture
Behold, ye builders, demigods who made England's Walhalla [Westminster Abbey].
Theodore Watts-Dunton, The Silent Voices, No. 4, The Minster Spirits.
Architecture
Architects and engineers are among the most fortunate of men since they build their own monuments with public consent, public approval and often public money.
John Prebble, in Disaster at Dundee, 1956. p. 16.
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